Oscar® Honors for KETIV's Own Scott Oshita
My role at KETIV gives me the chance to work with amazing people, both customers and our own consultants. Together, they are changing the world with the products they create. Doing what we love is reward enough, but when the world recognizes the impact we make, it is important that we celebrate together.
I am proud to share Scott Oshita, a long-time friend, colleague, and KETIV technical consultant earned a Scientific and Technical Achievement Award from the Motion Picture Academy of Arts and Sciences for 2017. The story behind the award is an excellent illustration of the power of Autodesk Inventor and the value of design optimization and compromise.
One Week. One Horse.
It was a regular Monday morning when the unique request came in: could Scott and his team design and build an animatronic horse and deliver it overseas in less than a month? “It was a crazy pace,” says Oshita. “We had four hours to tell them whether it was possible, then I basically didn’t sleep for six days.”
Autodesk Inventor served as an essential piece to the success of the project. Fortunately, Scott has worked with Autodesk software since its debut in 1999 and given the tight timeline of the project with minimal room for error, the design had to work on the first try; and Autodesk Inventor helped make that possible.
In less than five days, Scott developed and validated the concept, designed individual parts, assembled them, and created documentation for manufacturing. “The great thing about Inventor is that it allows me to prototype concepts virtually and do endless iterations,” says Oshita. “I can solve problems and refine my design before wasting any time or material putting it together. It gives me confidence in my design. It’s 3D, so if the parts fit together in your Inventor model, they’ll fit together when you build it.”
The result? The Running Horse, an animatronic that closely mimics the natural motion of a live galloping horse.
"Instead of 100 mediocre movements, I wanted our horse to perform a few strategically planned movements that’d give the camera the most bang for the buck."
Compromise is Key
Although Scott no longer works in special effects, he still recalls his experience with Running Horse in his career today as a mechanical designer.
“I’ve done presentations about the process for my clients, talking about design compromise,” Oshita says. “In a situation like that, there was no way to create the perfect design. So, we had to create the most elegant solution we could in the time we had. Instead of 100 mediocre movements, I wanted our horse to perform a few strategically planned movements that’d give the camera the most bang for the buck. That’s what you learn working in effects—make it fast, and make it play on-camera. And I think that’s something all product designers can learn from.”
The design compromises made by Scott and his team resulted in a simplified control system for Running Horse. In fact, the operational simplicity has been a significant factor in its adoption and success. In comparison, other animatronic horses can require dozens of technicians and puppeteers to operate; whereas, Running Horse is controlled by an on/off switch and a dial to control the speed. “It just works,” Oshita says, “and if it does break, it’s easy to fix. Apparently, no one’s designed anything better.”